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Choreographed by Hofesh Shechter

Premiered February 2008, 31 mins

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 “a fascinating non stop collage…I could not look away” World Dance Reviews on DOG

Honest and raw, witty and sophisticated, DOG is an exhilarating work created specially for SDT by Hofesh Shechter -  one of the most talked about choreographers of the moment.

Click here to download the script for DOG.

‘Crammed with ideas and wit, this is dance for the mind as well as the senses’ 

Judith Mackrell, The Guardian

Lighting Designer - Bruno Poet

Bruno recently won the ‘Victorian Green Room Award’, and was nominated for the ‘Helpmann Award’, for his lighting on Rusalka for Opera Australia at the Sydney Opera House. He also won, with designer Naomi Wilkinson, the 2007 ‘Best Design Award’ at the Critics Awards for Theatre in Scotland for A Midsummer Night’s Dream at Dundee Rep. Other Dundee productions include Ubu The King, Twelfth Night, The Duchess of Malfi and Peter Pan and he has previously lit Dog for Scottish Dance Theatre.

His many theatre designs include productions for the RSC, the Royal Court and the Barbican and recently Every Good Boy Deserves Favour, The Enchantment, Aristocrats (National Theatre), Romeo and Juliet (RSC), Phaedra (Donmar), All About My Mother (Old Vic) and A Prayer For My Daughter (Young Vic).


Other dance productions include Tree Finger Soup (Rambert Dance), Moment to Moment (Walker Dance Company) and Hansel and Gretal (Wilton’s Music Hall) and his most recent opera productions include Eine Florentinische Tragodie and Gianni Schicchi (Greek National Opera), Don Pasquale (Opera Geneva), The Marriage of Figaro (ENO), Varjak Paw, A Midsummer Night’s Dream, Babette’s Feast, Orphée (ROH); Partenope (Royal Danish Opera), Macbeth, A Midsummer Night’s Dream, Romeo et Juliette, Dido and Aeneas/Les noces, Hansel and Gretel, Don Giovanni, Rusalka, Manon (Opera North), Rigoletto (Aarhus), La clemenza di Tito (Barcelona & Leipzig); Il Trovatore (Bologna, Ancona, Japan), Leonore (Bologna), and L’Incoronazione Di Dario, Cosi Fan Tutte and The Rake’s Progress for Garsington Opera (for whom he has now lit eleven consecutive seasons), as well as previous productions for de Vlaamse Opera, Almeida Opera,  ETO, Scottish Opera-Go-Round, Scottish Opera.



Choreographer - Hofesh Shechter

Hofesh Shechter is recognised as one of the UK’s most exciting contemporary artists, with his eponymous Company touring worldwide to audience and critical acclaim. A former Drummer in a rock band, Shechter is renowned for creating the musical scores for each of his dance creations with his raw, atmospheric music complimenting his Company’s unique physicality.

After graduating from the Jerusalem Academy for Dance and Music Hofesh moved to Tel Aviv to jointhe world-renowned Batsheva Dance Company. Here he began drum and percussion studies whichcontinued in Paris at the Agostiny College of Rhythm. Subsequently he began experimenting and developing his own music whilst participating in various projects in Europe involving dance, theatre and body-percussion. In 2002 Hofesh arrived in the UK.

Hofesh made his choreographic debut with the duet Fragments (2003), followed by Cult for The Place Prize 2004 and Uprising (2006), his ever-popular work for seven men. The three works formed the triple bill deGENERATION, Hofesh’s first full evening of work. In 2007 he was commissioned by London's three major venues The Place, Southbank Centre and Sadler's Wells to create In your rooms. Drawing further from Hofesh’s now signature style of original music and choreography, Shechter was catapulted into the media spotlight with much anticipation surrounding the premiere of the work, resulting in sell-out performances and standing ovations at Sadler’s Wells Theatre.

After forming his international Company of highly skilled, individually talented dancers in 2008, Hofesh created The Choreographer’s Cutin 2009. Commissioned by Sadler’s Wells and performed at London’s iconic music venue the Roundhouse; Hofesh reworked his acclaimed double bill Uprising/In your rooms to feature a band of 20 musicians alongside a company of 17 dancers. Also in 2009 Hofesh was commissioned by Brighton Festival to create the “exquisitely acrimonious” The Art of Not Looking Back(The Observer, 2009) which was inspired by and made for six female dancers. An outdoor version of the work was presented at Latitude Festival later that year. 

In May 2010 Hofesh presented his first full length work Political Mother which premiered at the Brighton Festival. Featuring Shechter’s cinematic score, the piece was performed by 10 dancers and featured a band of 8 live drummers and electric guitarists.  The success of the show gained the Company the worldwide attention they deserved, and they have since toured their repertoire to Australasia, United States, Asia, and across Europe gaining a huge following.

Returning to the piece in 2011, Sadler’s Wells commissioned Hofesh to create Political Mother: Choreographer’s Cut, with an even larger band of 24 musicians and 16 dancers. The show was deemed ‘a mind blowing mix of sound and vision’ by critics and cemented Hofesh’s reputation as both a choreographer and composer of recognition. Fresh from the show’s success, Hofesh’s worked in collaboration with the sculptor Antony Gormley to create Survivor, a large-scale art/music performance which premiered at the Barbican in January 2012.

Hofesh has been commissioned in the UK by Bare Bones Dance Company, Edge and Verve (the postgraduate companies of London Contemporary Dance School and Northern School of Contemporary Dance respectively), StopGAP Dance Company, Scottish Dance Theatre, CandoCo and Dance United. Internationally, Hofesh has made new work and remounted works on Ballet CeDeCe (Portugal), Hellenic Dance Company (Greece), Bern:Ballett (Switzerland), Skanes Dansteater (Sweden), Carte Blanche Dance Company (Norway) and Cedar Lake Contemporary Ballet (New York). In 2012, Hofesh will create a new work for the first-ever performance by new UK-wide youth dance company, the U.Dance Ensemble, which will premiere at the Southbank Centre in July 2012.

Hofesh worked as choreographer at The Royal Court Theatre for Motortown by Simon Stephens (2006) and on The Arsonists (2007), collaborating with director Ramin Gray on both productions.  He was choreographer for the National Theatre’s award-winning production of Saint Joan (2007), directed by Marianne Elliot and starring Anne Marie Duff. He also choreographed the hit dance sequence ‘Maxxie’s Dance’ for the opening of the second series of Channel 4’s popular drama Skins.

His work has earned him a string of nominations and awards including: winner of the 3rd Serge Diaghilev choreography competition (Fragments), winner of the Audience Choice Award at the Place Prize 2004 (Cult), nominated for a South Bank Show Award and winner of the Critics Circle Award for Best Choreography (modern) 2008 (In your rooms), and nominated for a South Bank Sky Arts Award 2011 (Political Mother). He was also winner of the Movimentos Most Promising Newcomer in Dance Award (2009) and the British Theatre Institute’s Award for Excellence in International Dance (2011).

Hofesh is an Associate Artist of Sadler’s Wells and Hofesh Shechter Company is Resident Company at Brighton Dome.

Costume Designer - Phyllis Byrne

Hofesh Shechter including excerpts from Fan farra (cabua-le-le) from Brazileiro by Sergio Mendes, Verdi, Bach and Aleph, ATM and Dance Music by Ophir Ilzetzki

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