Collaborator

Yan Lee Chan

Based in Montreal, Yan Lee Chan has worked in the field of performing arts for over 10 years. He first studied lighting design at the Saint-Hyacinthe School for Theatre Arts where he earned a degree in stage management and technical direction. After graduation, he worked primarily in Europe, assisting Olivier Duplessis and other artists. Yan has also performed as a sleight-of-hand magician since his early teens, and has consequently developed new lighting concepts to create stage illusion. Yan Lee Chan has collaborated with many Canadian choreographers and companies including Momentum, Théâtre du Grand Jour, Théâtre du Rideau Vert, Pigeons International, Sonya Biernath, Lin Snelling, Bill Coleman, Andrew de Lotbinière Harwood, Nicole Mion, Phillippe Ducros, David Flewelling, Jenn Goodwin, Pamela Newell, and Hélène Langevin.
He collaborated with RUBBERBANDance Group for Suspension of Disbelief, AV Input/Output, Punto Ciego, and Gravity of Center.

Based in Montreal, Yan Lee Chan has worked in the field of performing arts for over 10 years. Sleight-of-hand magician performer since his early teens, he has developed new lighting concepts to create stage illusion. He has worked in Europe and collaborated with many Canadian choreographers and companies including Théâtre du Grand Jour, Théâtre du Rideau Vert, Pigeons International, Sonya Biernath, Lin Snelling, Bill Coleman, Andrew de Lotbinière Harwood, Nicole Mion, Phillippe Ducros, David Flewelling, Jenn Goodwin, Pamela Newell, and Hélène Langevin. He collaborated with RUBBERBANDance for Suspension of Disbelief, AV Input/Output, Punto Ciego, and Gravity of Center.